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- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- Review of *Backgazing: Reverse Time in Modernist Culture* by Paul GilesReview30 September 2022
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- Interpretation; or, AI’s Missing AlgorithmEssay22 December 2025
- **Review of *Last Letter to a Reader: Essays*, by Gerald Murnane**Review2 May 2023
- What is Australian Popular Fiction?Essay3 December 2018
- **‘Ordinary Readers’ and Political Uses: Re-Examining Helen Garner’s Non-Fiction Writings about Filicide**Essay29 October 2020
- Poetry into Life, Life into Poetry: Judith Wright and the AcademyEssay1 May 1979
- Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)Essay5 July 2019
- ‘Nearly all deep fertile soil’: Les Murray, His Son and AutismEssay23 May 2022
- Helen Garner’s EducationEssay28 October 2021
- Gerald Murnane’s Class: A Review of *Murnane*, by Emmett StinsonReview25 May 2024
- **The ‘Settler Problem’: Country and the (Im)Possibilities of a Settler Ecopoetics**Essay15 December 2025
- Aboriginal Women's Life-History Writing, Settler Reading and *Not Just Black and White*Essay11 December 2022
- Shannon’s Information Theory, AI, and FictionEssay22 December 2025
- *In the Heart of the Country* and Pain: Re-reading Space, Gender and AffectEssay25 February 2018
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- Bridging Distances: Ruth Park’s *A Power of Roses* (1953)Essay3 October 2024
- Technologies of Literature: Reading, Judgment, and the Large Language ModelEssay22 December 2025