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- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- Reading Carey Reading MalleyEssay1 October 2004
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- Tainted Testimony : The Khouri AffairEssay1 October 2004
- Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’Essay1 May 2007
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony LawrenceEssay1 October 2008
- Elizabeth Jolley’s Late WorkEssay1 May 2009
- ‘To favourably impress the Oriental mind with western knowledge’: Xiaohai yuebao (The Child’s Paper, 1875-1915) and International Print CultureEssay1 October 2014
- ‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional ReadersEssay28 October 2021
- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- Cosmopolitanism, Sovereignty and MedievalismEssay1 November 2011
- Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’Essay1 October 2012
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014