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Thomas Keneally and the Scheme of Things

Country Poetry and Town Poetry: A Debate

A Frame of Reference: Rosemary Dobson’s Grace Notes for Humanity

‘The Only Russian in Sydney’: Modernism and Realism in *The Watch Tower*

Anzac, Literary Genre and Memory

‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*

‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*

The British Tradition in John Morrison’s Radical Nationalism

Judith Wright and the Temporality of Composition

Translating *Fredy Neptune*: Interview with Thomas Eichhorn

‘Some Presence Inevitably Shows through’: Harold Stewart’s Haiku Versions

Jolley’s Women

Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim Winton

Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

**The ‘Settler Problem’: Country and the (Im)Possibilities of a Settler Ecopoetics**

Inner Voices and the First Coil

Asia and the Contemporary Australian Novel

A.D. Hope and the Poetry of Allusion

*In the Heart of the Country* and Pain: Re-reading Space, Gender and Affect