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- Mary Fortune as Sylphid: ‘blond, and silk, and tulle’Essay1 October 2012
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- ‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick BourkeEssay23 May 2022
- Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British ConnectionsEssay1 May 1985
- *Unspoken Thoughts*: A Reassessment of Ada CambridgeEssay1 May 1989
- Demidenko/Darville: A Ukrainian-Australian Point of ViewEssay1 October 2004
- The Australian Home-Front Novel of the Second World War: Genre, Gender and RegionEssay1 May 2007
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- Remembering the War: Australian Novelists of the InterWar YearsEssay1 October 2007
- Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*Essay1 June 2014
- 'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George JohnstonEssay1 June 2016
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- Coetzee’s WomanizingEssay25 February 2018
- ‘Nearly all deep fertile soil’: Les Murray, His Son and AutismEssay23 May 2022
- Review of *Ink in Her Veins: The Troubled Life of Aileen Palmer*, by Sylvia MartinReview19 December 2019
- Anna Maria Murray, Authoress of *The Guardian*Essay1 October 1967
- Furphy Criticism Since 1955: A ChecklistEssay1 October 1967
- Henry Lawson’s New Zealand Visits: A CommentEssay1 May 1969
- The Sources of *His Natural Life*Essay1 October 1969
- Facts and Fiction: Revaluing Helen Simpson’s *Boomerang*Essay1 October 1982