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- Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient MusicEssay1 June 2014
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- Cosmopolitanism, Sovereignty and MedievalismEssay1 November 2011
- In the Club: Australian Crime Fiction in the USA 1943-1954Essay1 October 2012
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014
- Challenging the Editing of the Rachel Henning LettersEssay1 October 1994
- Mal du Pays: Symbolic Geography in the Work of Randolph StowEssay1 May 1991
- Perceptions of the Enemy in Australian War LiteratureEssay1 October 1985
- Interview with Kerry Reed-GilbertEssay5 May 2016
- ‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short StoriesEssay31 October 2015
- ‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold WarEssay1 November 2015
- The ABC and The Sponsorship of Australian Radio Drama: 1932-1951Essay1 October 1982
- Editing A.D. HopeEssay1 October 1986
- Charles Harpur and the Myth of OriginsEssay1 October 1987
- The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947Essay1 October 1987
- A Lost Dimension: The Immigrant’s Experience In the Work of David MaloufEssay1 May 1988
- Fred J. Broomfield: Research Assistant ExtraordinaireEssay1 October 1980
- ‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’Essay1 May 1992