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‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*

Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*

On Appropriation: Two Novels of Dark and Barnard Eldershaw

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and Aesthetics

Displaying the Monster: Patrick White, Sexuality, Celebrity

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance Measurement

Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

‘Our Literary Connexion’: Rosa Praed and George Bentley

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)

Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs Over

Towards a History of Literary Programming on ABC Radio

Patrick White’s Studies for *Voss*

Repairing Rationality: Max Bense and the Automation of Literature in Post-War Germany