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‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne Affair

The Telling of Marmel’s Story

An Indian without a Country

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006

Biopolitics and Eleanor Dark’s *Prelude to Christopher*

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*

The Politics of English Studies in India

Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient Music

Sex and the City: New Novels by Women and Middlebrow Culture at Mid-Century

Reading in Public: Irene Longman and Citizenship

Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*

Phonographic Books and the Late Nineteenth-Century Reader

H. G. Wells in Australia

Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*