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- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- The Bridled Pegaroo, or, Is there a Colonial Poetics of IntertextualityEssay1 June 1991
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- Poetry and Politics in Oodgeroo: Transcending the DifferenceEssay1 November 1994
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard LeeEssay1 October 1993
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- Ages of Reason: Ethics, Metaphor and the Work of Jennifer MaidenEssay1 May 1996
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- ‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous MelbourneEssay1 May 2003
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- Reading Carey Reading MalleyEssay1 October 2004
- Veronica Brady’s Biography of Judith WrightEssay1 October 1999