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Un-Australian Activities?: Mary Gilmore’s Versions from the Spanish

An Interview with Archie Weller

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

Randolph Stow’s *Outrider* and the French Voyager Poem

Man, Work and Country: The Production of Henry Lawson

‘Years Later’: Temporality and Closure in Peter Carey’s Novels

Reading Carey Reading Malley

A. D. Hope and the Apocalyptic Splendour of the Sexes

‘Talking with Yagan’s Head’: The Poetry of John Mateer

All the Way to Cape Grimm: Reflections on Carmel Bird’s Fiction

Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational Rhetoric

Tainted Testimony : The Khouri Affair

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

Elizabeth Jolley’s Late Work

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

Minding Elephants and the Rhetorics of Destruction

The Return of the Fairy: Australian Medievalist Fantasy for the Young

Displaced Selves in Contemporary Fiction, or the Art of Literary Activism

Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary Narratives

Literary sources of Patrick White’s *Voss:* *A House is Built* and *Think of Stephen*