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- ‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great WarEssay1 October 1985
- Selective Bibliography of the Contemporary Australian Short StoryEssay1 October 1981
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- Barry Oakley and the Satiric ModeEssay1 May 1975
- Centre of Fierceness: Francis Webb’s Vision of the ArtistEssay1 October 1975
- Price Warung: Some Bibliographical Details and a Checklist of the StoriesEssay1 October 1968
- ‘realer than the Real’ : Francis Webb’s 'Ward Two'Essay1 May 1979
- Kate Baker, ‘Standard-Bearer’Essay1 May 1980
- The Support of Literature in Colonial AustraliaEssay1 October 1980
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- A Bellyful of Bali: Travel, Writing and Australia/Asia RelationshipsEssay1 October 1996
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- The Mysterious Case of Carter Brown, or, Who Really Killed the Australian AuthorEssay1 October 2004
- Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley WalkerEssay1 May 2004
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004