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- Coetzee’s WomanizingEssay25 February 2018
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*Essay1 October 1995
- Annual Bibliography of Studies in Australian Literature: 2001Essay1 May 2002
- **‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**Review28 October 2021
- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- Technologies of Literature: Reading, Judgment, and the Large Language ModelEssay22 December 2025
- Annual Bibliography of Studies in Australian Literature: 1996Essay1 May 1997
- Irish Protestant Colonialism and Educational Ideology in Australia:** **Hannah Boyd’s *Letters on Education* (1848)Essay30 September 2021
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011
- The Treatment of the Aborigine in Early Australian Fiction, 1840-70Essay1 May 1972
- Annual Bibliography of Studies in Australian Literature: 1978Essay1 May 1979
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- Treating Dora in *His Natural Life*Essay1 May 2003
- Vexilla Regis Prodeunt: Myth and Allusion in Out of IrelandEssay1 May 2001
- The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*Essay1 May 2003
- ‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative LifeEssay1 May 2009
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006