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- Preying on the Past: Contexts of Some Recent Neo-Historical FictionEssay1 October 1992
- Spatialised Time and Circular Time: A Note on Time in the Work of Gerald Murnane and Jorge-Luis BorgesEssay1 October 1997
- Walter and Mary Richardson’s Letters and *The Fortunes of Richard Mahony*Essay1 May 1998
- How to Use a Street Directory: Detail and Knowledge in the Work of Alan WearneEssay1 November 1998
- ‘Death and the Woman’ : Looking at Francis Webb’s ‘Lament for St Maria Goretti’Essay1 May 2004
- Becoming Native: Australian Novelists and the New Zealand WarsEssay1 May 2006
- Translating *Fredy Neptune*: Interview with Thomas EichhornEssay1 May 2005
- ‘untranscended / life itself’: The Poetry of Pam BrownEssay1 October 2005
- Bottling the Forbidden Fruit: Marion Halligan’s FictionEssay1 October 2008
- Indigenous Sovereignty in the Poetry of Romaine MoretonEssay1 October 2009
- Review of *An Unsentimental Bloke: The Life and Works of C.J. Dennis*, by Philip ButterssReview1 November 2013
- Christos Tsiolkas and the Pornographic Logic of Commodity CapitalismEssay1 May 2010
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*Essay1 October 2013
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- Asia and the Contemporary Australian NovelEssay1 October 1984
- A.D. Hope and the Poetry of AllusionEssay1 October 1979
- Means and Ends in WritingEssay1 October 1979
- Reading Byron in Kororāreka: *The Journal of Ensign Best*Essay31 October 2015
- The Making of Thomas KeneallyEssay30 May 2015