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*The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite Whodunnit

The Treatment of the Aborigine in Early Australian Fiction, 1840-70

Australian Invention of Chinese Invasion: A Century of Paranoia, 1888-1988

No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850

Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ Play

Vexilla Regis Prodeunt: Myth and Allusion in Out of Ireland

The Drowned World of Kenneth Slessor

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

‘Phrases Between Us’: The Poetry of Anna Wickham

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

Beatrice Davis and ‘The Sacredness of the Printed Word’

'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George Johnston

Christina Stead’s Student Publications

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*

Introduction: The Uses of Irish-Australian Literature

‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)

When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

Australian Letters and Postwar Modernity

Walter Murdoch : ‘A Humble Protest’?