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- A Pastoral Reading of Christina Stead’s *Cotters’ England*Essay30 June 2015
- Four Notes on the Practice of RevolutionEssay1 October 1977
- Xavier Herbert: A ChecklistEssay1 October 1978
- Charles Harpur’s ‘Midsummer Noon’: A Structuralist ApproachEssay1 October 1978
- Jimmy Governor and Jimmie BlacksmithEssay1 May 1979
- Australian and New Zealand FictionReview1 May 1980
- Judith Wright’s Delicate BalanceEssay1 October 1980
- Small Presses and Little Magazines in the 1970sEssay1 October 1980
- The Self and the Magic Lantern: Gender and Subjectivity in Australian Colonial Women’s Writing [1992]Essay1 May 1992
- Long Memoried Women: Oodgeroo Noonuccal and Jamaican Poet, Louise BennettEssay1 November 1994
- Cultural Pathology: What Ern Malley MeansEssay1 May 1995
- An Interview with Chris Wallace-CrabbeEssay1 October 1996
- An Interview with Christopher KochEssay1 May 1997
- Honi Heke: The Maori as Aboriginal Hero in Australian Colonial PoetryEssay1 May 1993
- Performance for the PeopleEssay1 November 1994
- ‘Things are Cast Adrift’: Brian Castro’s FictionEssay1 October 1995
- An Interview with Tim WintonEssay1 October 1996
- *The Scent of Eucalyptus*: Gothic AutobiographyEssay1 May 1990
- Arthur Hoey Davis and Several ‘Steele Rudds’: Imagining the Pseudonymous AuthorEssay1 May 1990
- ‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*Essay1 May 1990