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- ‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel TurnerEssay1 October 2010
- Inner Voices and the First CoilEssay1 October 1979
- Reading Byron in Kororāreka: *The Journal of Ensign Best*Essay31 October 2015
- Shaw Neilson’s PoetryEssay1 December 1966
- Miles Franklin on Dearborn Street, Chicago, 1906-15Essay1 May 1982
- A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)Essay1 May 1983
- War Correspondents in Australian Literature: An OutlineEssay1 October 1985
- From the Sudan to Saigon: A Critical Review of Historical WorksEssay1 October 1985
- Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth CenturyEssay30 June 2015
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- Italian Immigrants in Australian Fiction 1900-1950Essay1 May 1993
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- An Indian without a CountryEssay1 June 2009
- Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth JolleyEssay1 October 2009
- ‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic PrimitivismEssay1 May 2012
- **Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**Essay28 October 2021
- Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’Essay1 October 2012