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‘Deadly’ Work: Reading the Short Fiction of Archie Weller

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

The Return of the Fairy: Australian Medievalist Fantasy for the Young

‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of Translation

Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*

Place, History and Story: Tony Birch and the Yarra River

The Pursuit of Oblivion: In Flight from Suburbia

Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth Century

‘That Wild Run to London’ : Henry and Bertha Lawson in England

Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of Remembering

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

Indigenous Literature and the Extractive Industries

Creative Acts: Archives, Artifacts and Australian Women’s Autobiographies

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

‘Having Fun with the Professors’: Gwen Harwood and Doctor Eisenbart

Interview with Thomas Keneally, Manly, 27 June 2012