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Janette Turner Hospital’s Radical Re-Writing: Oedipal Charades

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

The Literary Reputation of Adam Lindsay Gordon

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

Of Sages and Sybils: Alec Hope and Judith Wright

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

Judith Wright and Frank Scott: Gendering Modernist Networks in Australia and Canada

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

Poetry, Activism and Cultural Capital

Christina Stead’s Student Publications

Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*

The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*

Shame in Ruth Park’s Inner Sydney Novels

Perceptions of the Enemy in Australian War Literature

What is Australian Popular Fiction?

‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan Moorehead

A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging Phantoms

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

From the Harp of Erin to Erin of the Harp with Thomas Keneally