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Towards a History of Literary Programming on ABC Radio

‘The Kingdom of Dust’: *Voss* as Planetary Epic

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce

Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YA

Caesura and the Deforming Poem: Rupture as a Space for the Other

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

**Contingencies of Meaning Making: English Teaching and Literary Sociability**

Eurydice’s Curse: J. M. Coetzee and the Prospect of Death

Review of *Half the Perfect World: Writers, Dreamers and Drifters on Hydra, 1955-1964*, by Paul Genoni and Tanya Dalziell

Review of *D. H. Lawrence’s Australia: Anxiety at the Edge of Empire*, by David Game

Review of *Ink in Her Veins: The Troubled Life of Aileen Palmer*, by Sylvia Martin

Two Bibliographies : Hal Porter and Patrick White

Research in Progress in Australian Literature [1969]

Review of *Australiska och Nyzeeländska Författare på Svenska* by Henry Segeström

Review of *That Shining Band,* *Christina Stead*, *Dancing on Hot Macadam: Peter Carey's Fiction*, *Provisional Maps: Critical Essays on David Malouf,* and *The Ironic Eye*

Review of *Australian Literary Criticism since 1901*, by Peng Qinglong

Introduction

**‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**

Review of *Backgazing: Reverse Time in Modernist Culture* by Paul Giles

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)