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- Review of *Frank Hardy and the Literature of Commitment*, edited by Paul Adams and Christopher LeeReview1 May 2005
- Authors’ Statements [Thea Astley]Essay1 October 1981
- **Aboriginal Mobilities and Colonial Serial Fiction**Essay30 April 2021
- Review of *Backgazing: Reverse Time in Modernist Culture* by Paul GilesReview30 September 2022
- Review of *The Broad Arrow: Being Passages from the History of Maida Gwynnham, a Lifer*, by Oliné Keese, edited by Jenna MeadReview30 September 2022
- Review of *The Experimental Fiction of Murray Bail* by Michael AcklandReview1 October 2013
- ‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*Essay23 May 2022
- Review of *The Antipodean Laboratory: Making Colonial Knowledge, 1770–1870*, by Anna JohnstonReview25 May 2024
- Shame in Ruth Park’s Inner Sydney NovelsEssay3 October 2024
- Asia and the Contemporary Australian NovelEssay1 October 1984
- IntroductionEssay7 December 2016
- Literary Nationalism and the 1890sEssay1 May 1971
- Australian Prose Literature of the First World War : A SurveyEssay1 October 1971
- Kipling’s Visit and the Early Reception of His Books in Australia (1889-1900)Essay1 May 1985
- Asian Stereotypes in Recent Australian PlaysEssay1 May 1985
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- Biography and Fiction : George Johnston’s Meredith Trilogy and Garry Kinane’s BiographyEssay1 May 1988
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- Kate Baker, ‘Standard-Bearer’Essay1 May 1980
- Assimilation or Appropriation: Uses of European Literary Forms in Black Australian WritingEssay1 October 1992