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O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and Celebrity

The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth Century

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

Henry Lawson and the ‘Pinker of Literary Agents’

Remembering the War: Australian Novelists of the InterWar Years

Gender Buttons

Manifesting Literary Feminisms: Nexus and Faultlines

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

‘What Had She to Do With Angels?’ : Gender and Narrative in The Fortunes of Richard Mahony

Serving ‘a Male Philosophy’? *Elizabeth Costello*’s Feminism and Coetzee’s Dialogues with Joyce

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

Jack Lindsay and MI5: More than Surveillance

Kendall’s Views on Contemporary Writers : A Survey of His Correspondence

Joseph Furphy, Jacobean

Australia’s ‘First’ Dramatists

A Checklist of Australian Literature of World War I

Hal Porter’s Comic Mode