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Notes on the Early Unpublished Manuscripts of Peter Carey

Review of *In Due Season: Australian Literary Studies: A Personal Memoir*, by Harry Heseltine

Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*

Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’

Wartime Reading: Romantic Era Military Periodicals and the Edinburgh Review

Porous Realism and the Precarious Home in Ruth Park’s Fiction

Back to Whitton Week: Tracking Tom Keneally's Career

Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

The Historical Basis of For the Term of His Natural Life

William Hay and History : A Comment on Aims, Sources and Method

The Genesis of a Writer: The Early Years of Kenneth Mackenzie

Patrick White’s *A Fringe of Leaves*: History and Fiction

‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’

Demidenko/Darville: A Ukrainian-Australian Point of View

A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging Phantoms

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*

One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983

**Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**

‘Nearly all deep fertile soil’: Les Murray, His Son and Autism

‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919