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‘Our Literary Connexion’: Rosa Praed and George Bentley

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

‘Having Fun with the Professors’: Gwen Harwood and Doctor Eisenbart

Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim Winton

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Textual Encounters of the Bird Kind: Dal Stivens and the Night Parrot

Anthologies and the Amazonian Phalanx: Publication of Australian Female Poets from the 1940s

Literary Festivals and Cultural Consumption

‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary Criticism

Capricornia : Seasonal, Diurnal and Colour Patterns

Introduction

Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian Gray

The Fortunate Flâneuse

Between Scylla and Charybdis : ‘Kangaroo’ and the Form of the Political Novel

Society and Nature in Such is Life

The Prototype of Richard Mahony

Xavier Herbert: *Capricornia*

Australian Prose Literature of the First World War : A Survey