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- Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*Essay1 October 2007
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- Cosmopolitanism, Sovereignty and MedievalismEssay1 November 2011
- Shannon’s Information Theory, AI, and FictionEssay22 December 2025
- ‘What Had She to Do With Angels?’ : Gender and Narrative in The Fortunes of Richard MahonyEssay1 October 1993
- Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance NovelsEssay3 December 2018
- Research in Progress in Australian Literature [1967]Essay1 October 1967
- Authors’ Statements [Anna Couani]Essay1 October 1981
- Here Beyond My KnowingEssay1 May 1985
- Fathers and Lovers: Three Australian NovelsEssay1 October 1982
- CorrespondenceEssay1 May 1986
- New Light on Ada CambridgeEssay1 May 1989
- CorrespondenceEssay1 May 1976
- Research in Progress in Australian Literature [1973]Essay1 October 1973
- Patrick White’s First BookEssay1 October 1974
- Review of *Marjorie Barnard and M. Barnard Eldershaw* by Louise E. RorabacherReview1 October 1974
- Marcus Clarke: *Long Odds* and the 1873 Melbourne CupEssay1 October 1974
- John TranterEssay1 October 1977
- Four Notes on the Practice of RevolutionEssay1 October 1977
- Henry Kingsley, and the ‘Dear Old Station’: The ‘Baroona’ of *Geoffry Hamlyn*?Essay1 October 1993