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‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Michael Wilding’s Three Centres of Value

Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)

Origin, Identity and the Body in David Malouf’s Fiction

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture

The Artful Man: Theory and Authority in Brian Castro’s Fiction

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*

Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ Fiction

About Face: Asian-Australians at Home

Veronica Brady’s Biography of Judith Wright

‘Talking with Yagan’s Head’: The Poetry of John Mateer

All the Way to Cape Grimm: Reflections on Carmel Bird’s Fiction

‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne Affair

Mid-Victorian Reading and the Antipodes

‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century Australia

‘Will This be Your Poem, or Mine?’: The Give and Take of Story

Singing up Country in the Poetry of Judith Wright and Pablo Neruda

Future Tense: *Dead Europe* and Viral Anti-Semitism

The Telling of Marmel’s Story