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- Australian Literary Criticism: Future DirectionsEssay1 May 2001
- *My Brilliant Career*: The Career of the *Career*Essay1 October 2002
- Challenging Voices: Tracing the Problematic Role of Testimony in Political ChangeEssay1 October 2006
- When ‘History Changes Who We Were’Review1 November 2008
- ‘Sweet Mary of Kilmore’: Discrimination in Australian Folklore ScholarshipEssay1 November 2008
- Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*Essay23 May 2022
- Authors’ Statements [Shirley Hazzard]Essay1 October 1981
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- Introduction: The Uses of Irish-Australian LiteratureEssay30 September 2021
- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- 'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special IssueEssay30 October 2023
- Technologies of Literature: Reading, Judgment, and the Large Language ModelEssay22 December 2025
- Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ FictionEssay3 December 2018
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- *The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite WhodunnitEssay19 December 2024
- The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’Essay1 May 1991
- Transforming *Jane Eyre*: Its Australian Stage AdaptationsEssay31 October 2015
- Marcus Clarke, the Two George Eliots, and the History of Two NewspapersEssay31 October 2015
- ‘The Fullness of Life’: The Poetics and Politics of Jack LindsayEssay1 November 2015
- ‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into ItalianEssay25 February 2018