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Second Thoughts on the Langton Novels : Martin Boyd’s Revisions

Patrick White’s ‘Return to Abyssinia’

Review of books by Hal Porter, Catherine Helen Spence, Douglas Stewart and Ric Throssell

Narrative Perspective and Cultural History in *Robbery Under Arms*

Review of *A Manifold Voice: Studies in Commonwealth Literature* by William Walsh; and *Literature in Action: Studies in Continental and Commonwealth Society* by M.C. Bradbrook

The Date of Composition of *Ralph Rashleigh*

Correspondence

Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian Exploration

Review of *L'Universo Terra in 'Voss' di Patrick White* by Antonella Riem, and *The Labyrinths of the Self* by Antonella Riem

The Short Story Cycles of Frank Moorhouse

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Review of *Continent of Mystery: A Thematic History of Australian Crime Fiction*, by Stephen Knight

Review of *The Sea Coast of Bohemia: Literary Life in Sydney's Roaring Twenties* by Peter Kirkpatrick

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

The Artful Man: Theory and Authority in Brian Castro’s Fiction

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

Review of *A Long and Winding Road: Xavier Herbert's Literary Journey*, by Sean Monahan

Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*

Dorothy Hewett’s Faith in Doubt