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*An Imaginary Life*: The Dimensions of Self

Fred J. Broomfield: Research Assistant Extraordinaire

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850

‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry Kendall

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

Good Readers and Good Citizens: Literature, Media and the Nation

‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan Moorehead

Folie, Topography and Family in Murray’s Middle-Distance Poems

*Fredy Neptune*: Metonymy and the Incarnate Preposition

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

On Appropriation: Two Novels of Dark and Barnard Eldershaw

Demidenko/Darville: A Ukrainian-Australian Point of View

O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and Celebrity

Helping Yourself: Marlo Morgan and the Fabrication of Indigenous Wisdom

The Australian Home-Front Novel of the Second World War: Genre, Gender and Region

In the Beginning: David Malouf’s *An Imaginary Life*

Manifesting Literary Feminisms: Nexus and Faultlines