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- Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and MiltonEssay30 June 2015
- Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’Essay1 October 1975
- ‘…The Wild Assertion of Vitality’Essay1 October 1977
- Patrick White’s *A Fringe of Leaves*: History and FictionEssay1 October 1978
- ‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’Essay1 May 1992
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996
- James McAuley’s New Guinea : Colonialism, Modernity and SuburbiaEssay1 November 1998
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- Interview with Andrew TaylorEssay1 May 2004
- Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*Essay1 October 2000
- Folie, Topography and Family in Murray’s Middle-Distance PoemsEssay1 October 2001
- On Appropriation: Two Novels of Dark and Barnard EldershawEssay1 October 2002
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- ‘That Wild Run to London’ : Henry and Bertha Lawson in EnglandEssay1 October 2007
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- Australian Gothic: Theatre and the Northern TurnEssay1 June 2012
- Being Out of Time: Animal Gods in Contemporary Extinction FictionsEssay1 June 2010
- Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. AkhurstEssay1 October 2011
- Honour the Single Soul: Homage to Randolph Stow (1936-2010)Essay1 May 2011
- Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes HerselfEssay1 June 2014