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- Authors’ Statements [Peter Carey]Essay1 October 1981
- Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000Essay30 September 2021
- Review of Serious Frolic: Essays on Australian Humour, edited by Fran de Groen and Peter KirkpatrickReview1 May 2011
- ‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic PrimitivismEssay1 May 2012
- Disciplined Action? The Challenges of English at Canterbury and BeyondEssay1 June 2013
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- Sex and the City: New Novels by Women and Middlebrow Culture at Mid-CenturyEssay1 October 2012
- Review of *The Postcolonial Eye: White Australian Desire and the Visual Field of Race*, by Alison RavenscroftReview1 October 2013
- Les Murray’s Talking MosaicsEssay19 December 2024
- Coetzee’s WomanizingEssay25 February 2018
- Review by Julian CroftReview1 May 1982
- Repetition and Christina Stead’s *The Man Who Loved Children*Essay7 December 2016
- Review of *Ink in Her Veins: The Troubled Life of Aileen Palmer*, by Sylvia MartinReview19 December 2019
- Kenneth Slessor and the GrotesqueEssay1 December 1964
- Vincent Buckley’s ‘Stroke’ : A DiscussionEssay1 October 1969
- Review of *Christina Stead* by R. G. GeeringReview1 October 1970
- Louisa Lawson’s ‘The Australian Bush-Woman’–A Source for ‘The Drover’s Wife’ and ‘Water them Geraniums’?Essay1 October 1982
- Facts and Fiction: Revaluing Helen Simpson’s *Boomerang*Essay1 October 1982
- The Struggle of the Modern in AustraliaEssay1 May 1984