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Jack Lindsay

Mateship, Individualism and the Production of Character in Australian Fiction

Shirley Hazzard: Transit and *The Bay of Noon*

The One-Actor Play in Australian Drama

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*

My Brilliant Career and 1890s Goulburn

The Artful Man: Theory and Authority in Brian Castro’s Fiction

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Reading Carey Reading Malley

Australian Literature: Points for Departure

The Literary Reputation of Adam Lindsay Gordon

Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*

‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial Distancing

‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern Reader

The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and Yasbincek

Salt Scars: John Kinsella’s Wheatbelt

The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862

Amanda Lohrey's *Vertigo*: An Australian Pastoral

Christina Stead’s Student Publications