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- The Making of Thomas KeneallyEssay30 May 2015
- Australian Literary Studies in the 1940s: The Commonwealth Literary Fund LecturesEssay1 November 2015
- Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler ColonialismEssay1 June 2016
- ‘Bushranger’ and ‘Croppy’ : A Footnote to Convict Jargon and EuphemismEssay1 June 1966
- Review of the *Australian Writers and Their Work* series, edited by Geoffrey DuttonReview1 June 1966
- Notes on Slessor’s ‘Five Visions’Essay1 October 1969
- The Prototype of Richard MahonyEssay1 May 1970
- Review of *Bread and Wine: Selected Prose* by Kenneth SlessorReview1 October 1970
- Review of *On Dearborn Street* by Miles FranklinReview1 May 1982
- The 20th Anniversary of *ALS*: Comments by A.D. Hope, Leonie Kramer and the EditorEssay1 October 1983
- Asia, Europe and Australian Identity: The Novels of Christopher KochEssay1 May 1982
- Mateship, Individualism and the Production of Character in Australian FictionEssay1 October 1984
- War Correspondents in Australian Literature: An OutlineEssay1 October 1985
- Review of *Unbridling the Tongues of Women. A Biography of Catherine Helen Spence*, by Susan MagareyReview1 October 1986
- The Sites of War in the Fiction of Thomas KeneallyEssay1 October 1986
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- ‘White Ravens’ in a World of Violence: German Connections in Thomas Keneally’s FictionEssay1 October 1989
- Review of Literature and the Aborigine in Australia, by J. J. HealyReview1 October 1979
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015