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- Italian Immigrants in Australian Fiction 1900-1950Essay1 May 1993
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- Feral Symbolists: Robert Adamson, John Tranter, and the Response to RimbaudEssay1 May 1994
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997
- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard LeeEssay1 October 1993
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- Evoking Empathy: Structures of Language and Feeling in Robert Gray’s PoetryEssay1 October 1990
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard AwardEssay1 October 1999
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*Essay1 November 1998