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- Norman Lindsay’s ‘Creative Effort’: Manifesto for an Urban IntelligentsiaEssay1 May 1973
- ‘Oh, Vaunted Queensland!’: A Literary Interpretation, 1862-69Essay1 October 1973
- A.D. Hope’s ‘The Double Looking Glass’: A ReadingReview1 October 1974
- Oodgeroo in ChinaEssay1 November 1994
- From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*Essay1 November 1994
- Performance for the PeopleEssay1 November 1994
- ‘Things are Cast Adrift’: Brian Castro’s FictionEssay1 October 1995
- Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*Essay29 October 2020
- **Contingencies of Meaning Making: English Teaching and Literary Sociability**Essay29 October 2020
- A Tale of Two Countries: *Jack Maggs* and Peter Carey’s FictionEssay1 October 1997
- *The Scent of Eucalyptus*: Gothic AutobiographyEssay1 May 1990
- Les Murray: Watching with His MouthEssay1 October 2001
- ‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian ClubEssay1 May 2003
- Dancing ‘on Bits of Paper’ : Les Murray’s SoundscapesEssay1 October 2001
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*Essay1 October 2007
- Bottling the Forbidden Fruit: Marion Halligan’s FictionEssay1 October 2008
- Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)Essay5 July 2019
- Helen Garner’s EducationEssay28 October 2021
- Rewriting the Past: Exploration and Discovery in *The Transit of Venus*Essay1 May 1992