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- Review of *Lohrey* by Julieanne LamondReview2 May 2023
- Authors’ Statements [Shirley Hazzard]Essay1 October 1981
- Review of *The Antipodean Laboratory: Making Colonial Knowledge, 1770–1870*, by Anna JohnstonReview25 May 2024
- A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)Essay1 May 1983
- A Governor, a Farmer, an Emperor: Rome and Australia in Geoffrey LehmannEssay1 May 1983
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011
- Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth CenturyEssay30 June 2015
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973
- An Interview with Archie WellerEssay1 October 1993
- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999
- About Face: Asian-Australians at HomeEssay1 May 2002
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Elizabeth Jolley’s Late WorkEssay1 May 2009
- Conceptual Poetry, Nonconceptual Poetry, Postconceptual PoetryEssay1 October 2013
- Where Literary Studies Is, and What It DoesEssay1 June 2013
- Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth CenturyEssay1 October 2014
- ‘The Fullness of Life’: The Poetics and Politics of Jack LindsayEssay1 November 2015
- The Treatment of the Aborigine in Early Australian Fiction, 1840-70Essay1 May 1972