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Performance for the People

‘Things are Cast Adrift’: Brian Castro’s Fiction

Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*

**Contingencies of Meaning Making: English Teaching and Literary Sociability**

A Tale of Two Countries: *Jack Maggs* and Peter Carey’s Fiction

*The Scent of Eucalyptus*: Gothic Autobiography

Les Murray: Watching with His Mouth

‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian Club

Dancing ‘on Bits of Paper’ : Les Murray’s Soundscapes

Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial Recasting

Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*

Bottling the Forbidden Fruit: Marion Halligan’s Fiction

Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)

Helen Garner’s Education

Rewriting the Past: Exploration and Discovery in *The Transit of Venus*

**The ‘Settler Problem’: Country and the (Im)Possibilities of a Settler Ecopoetics**

Malley and Campalans: Apocryphal Modernists Yearning for Recognition

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*

Challenging the Editing of the Rachel Henning Letters

Annual Bibliography of Studies in Australian Literature: 2002