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- *The Scent of Eucalyptus*: Gothic AutobiographyEssay1 May 1990
- Les Murray: Watching with His MouthEssay1 October 2001
- ‘Those Ungodly Pressmen’: The Early Years of the Brisbane Johnsonian ClubEssay1 May 2003
- Dancing ‘on Bits of Paper’ : Les Murray’s SoundscapesEssay1 October 2001
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*Essay1 October 2007
- Bottling the Forbidden Fruit: Marion Halligan’s FictionEssay1 October 2008
- Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)Essay5 July 2019
- Helen Garner’s EducationEssay28 October 2021
- Rewriting the Past: Exploration and Discovery in *The Transit of Venus*Essay1 May 1992
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Challenging the Editing of the Rachel Henning LettersEssay1 October 1994
- Annual Bibliography of Studies in Australian Literature: 2002Essay1 May 2003
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’Essay1 May 1991
- Helping Yourself: Marlo Morgan and the Fabrication of Indigenous WisdomEssay1 October 2004
- Unknown Australia: Rosa Praed’s Vanished RaceEssay1 May 2005
- Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. NortonEssay1 October 2006
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015