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Thomas Keneally’s ‘Innocent’ Men

Review of *Big-Noting: The Heroic Theme in Australian War Writing* by Robin Gerster, and *Frank Honywood, Private: A Personal Record of the 1914-1918 War, by Eric Patridge, introduced and annotated by Geoffrey Serle

Is There No End to Travelling? Paul Carter in the Linguistic No-Man’s-Land

Charles Harpur’s Reputation 1853-1858 : The Years of Controversy

Australian Poems on European Paintings

‘By What Sign / Are You Walking?’: The Poetry of Judith Rodriguez

*The Scent of Eucalyptus*: Gothic Autobiography

Reading *My Brilliant Career*

Indigenous Sovereignty in the Poetry of Romaine Moreton

Listening between the Lines: Introduction: Exploring Interdisciplinarity between Music and Literature

Lawson’s Joe Wilson : A Skeleton Novel

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman*

Towards a Reassessment of the MSS of Shaw Neilson

Review of *The Poet Militant: Bernard O'Dowd* by Hugh Anderson; and *Christopher Brennan: Some Recollections* by Richard Pennington

Review of *A Study of Christopher Brennan's The Forest of Night* by A.R. Chisholm; and *The Letters of Hugh McCrae* selected by Robert D. Fitzgerald

Review of *Straight Left* by Katharine Susannah Prichard *An Introduction to Australian Literature* ed. C.D. Narasimhaiah, and *A Common Wealth of Words* ed. Maureen Freer and Ken Goodwin

Review of six recent critical studies of Patrick White

A Christina Stead Letter

A Prodigious Dilemma: Gwen Harwood’s Professor Eisenbart and the Vices of the Intellect