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Review by Christopher Koch

Review of *J.S. Manifold--An Introduction to the Man and his Work* by Rodney Hall

Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*

Voyage and Kaleidoscope in George Johnston’s Trilogy

The Language of Music: Helen Garner’s *The Children’s Bach*

‘My Little Ghost-Slave’: The Queer Lives of Rosa Praed

Shirley Hazzard: Transit and *The Bay of Noon*

‘realer than the Real’ : Francis Webb’s 'Ward Two'

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

Where Literary Studies Is, and What It Does

‘This Country is My Mind’: Les Murray’s Poetics of Place

Ideas about the Thing, Not the Thing Itself: Impact and Other Abstractions and the Politics of Research Performance Measurement

Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

Introduction

The Use of Names and Colours in Randolph Stow’s *Tourmaline*

Humanitarian Sex: Biopolitics, Ethics, and Aid Worker Memoir

Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*

Eurydice’s Curse: J. M. Coetzee and the Prospect of Death