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- The Sites of War in the Fiction of Thomas KeneallyEssay1 October 1986
- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- A Bellyful of Bali: Travel, Writing and Australia/Asia RelationshipsEssay1 October 1996
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- The Golden Fish: On Reading J. S. HarryEssay1 October 2005
- ‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*Essay1 October 2007
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010
- Review of Martin Boyd, by Brenda NiallReview1 October 1979
- Review of *The Red Professor: The Cold War Life of Fred Rose*Review1 June 2016
- ‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.Essay16 November 2016
- Patrick White’s Use of ImageryEssay1 June 1966
- Editors’ Statements [C.B. Christesen]Essay1 October 1981
- Review of *Exiles at Home: Australian Women Writers 1925-1945* by Drusilla ModjeskaReview1 October 1982
- Review of *Wild Man of Letters: The Story of P.R. Stephensen* by Craig MunroReview1 May 1986
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011
- New Light on Barbara BayntonEssay1 October 1976
- Review of *A Writing Life* By Giulia GiuffréReview1 October 1990
- Review of *The Campbell Howard Annotated Index of Australian Plays 1920-1955*, compiled and edited by Jack Bedson and Julian CroftReview1 May 1995