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Thomas Shapcott’s Verse from a European Perspective

Official Criticism? Critical Practices and Australian Poetry

Review of *Resistance and Reconciliation: Writing in the Commonwealth*, edited by Bruce Bennett, Susan Cowan, Jacqueline Lo, Satendra Nandan, and Jen Webb

Interpretation; or, AI’s Missing Algorithm

Bibliographic Notes on Selected Irish-Australian Writers

Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into German

In the Beginning: David Malouf’s *An Imaginary Life*

Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky

‘Down at the Dump’ and Lacan’s Mirror Stage

‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*

Long Memoried Women: Oodgeroo Noonuccal and Jamaican Poet, Louise Bennett

Translating *Fredy Neptune*: Interview with Thomas Eichhorn

Editors’ Statements [Nancy Keesing]

Bruce Dawe and Frank Sargeson : Speaking in Other Voices

Tim Thorne

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*

Caesura and the Deforming Poem: Rupture as a Space for the Other

A Checklist of the Writings of J.P. McKinney

*In the Heart of the Country* and Pain: Re-reading Space, Gender and Affect