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- Review of *Playing Australia: Australian Theatre and the International Stage*, edited by Elizabeth Schafer and Susan Bradley SmithReview1 May 2005
- Review of *Pacifism and English Literature: Minstrels of Peace*, by R.S. WhiteReview1 May 2010
- Xavier Herbert: *Capricornia*Essay1 October 1970
- Martin Boyd as ‘Walter Beckett’Essay1 May 1978
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006
- Review of *Making Books: Contemporary Australian Publishing*, edited by David Carter and Anne GalliganReview1 May 2009
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- Review of *Half the Perfect World: Writers, Dreamers and Drifters on Hydra, 1955-1964*, by Paul Genoni and Tanya DalziellReview3 December 2018
- Short NoticesReview1 October 1970
- Short NoticesReview1 October 1970
- Review of *Quadrant: Twenty-Five Years' ed. Peter Coleman, Lee Shrubb, Vivian Smith, and *A Possible Contemporary Poetry* ed. Martin DuwellReview1 May 1983
- Review of *The Archibald Paradox: A Strange Case of Authorship* by Sylvia LawsonReview1 May 1985
- Review of *Australian Literary Criticism since 1901*, by Peng QinglongReview29 October 2020
- The Origin of ‘The Settler’s Lament’Essay1 June 1963
- Review of *Ours As We Play It: Australia Plays Shakespeare*, by Kate FlahertyReview1 May 2012
- Review of *Transcultural Ecocriticism: Global, Romantic and Decolonial Perspectives*, edited by Stuart Cooke and Peter Denney.Review11 December 2022
- Listening between the Lines: Introduction: Exploring Interdisciplinarity between Music and LiteratureEssay1 June 2014
- Some Volumes of Selected Poems of the 1970sReview1 May 1981
- G.A.S. in Australia: Hot Air Down-Under?Essay1 October 1992