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- Resisting Productionist Timescapes by Making Better Futures in the Present: Care for Country in Western Sydney LiteraturesEssay25 May 2024
- ‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional ReadersEssay28 October 2021
- *His Natural Life* and Its SourcesEssay1 May 1971
- ‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical ReceptionEssay1 May 2005
- Irish Republicanism and the Colonial Australian Bushranger NarrativeEssay30 September 2021
- 'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special IssueEssay30 October 2023
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- **Wenz Reinvented: The Making and Remaking of a French-Australian Transnational Writer**Essay30 April 2021
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- What is Australian Popular Fiction?Essay3 December 2018
- Christina Stead’s Earliest PublicationsEssay7 December 2016
- The Genesis of a Writer: The Early Years of Kenneth MackenzieEssay1 October 1968
- A Lost Dimension: The Immigrant’s Experience In the Work of David MaloufEssay1 May 1988
- The Treatment of the Aborigine in Early Australian Fiction, 1840-70Essay1 May 1972
- Australian Invention of Chinese Invasion: A Century of Paranoia, 1888-1988Essay1 May 1995
- **‘Ordinary Readers’ and Political Uses: Re-Examining Helen Garner’s Non-Fiction Writings about Filicide**Essay29 October 2020
- The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*Essay1 May 2003
- On Appropriation: Two Novels of Dark and Barnard EldershawEssay1 October 2002
- A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging PhantomsEssay1 October 2004
- ‘Phrases Between Us’: The Poetry of Anna WickhamEssay1 October 2005