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- Patrick White’s Four PlaysEssay1 June 1966
- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- Havelock Ellis’s Australian IdyllEssay1 June 1967
- The Development of an Egalitarian Poetics in the Bulletin, 1880-1890Essay1 May 1981
- A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)Essay1 May 1983
- The Reconstruction of Self: Background and Design in George Johnston’s Meredith TrilogyEssay1 October 1984
- Barbara Hanrahan’s NovelsEssay1 May 1983
- A Survey of Australian Utopian and Dystopian FictionEssay1 May 1987
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011
- Some Mary Gilmore LettersEssay1 October 1972
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- Kate Baker, ‘Standard-Bearer’Essay1 May 1980
- The Support of Literature in Colonial AustraliaEssay1 October 1980
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- Hal Porter, *The Tower* and the Quintessence of PorterismEssay1 June 1991
- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- ‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard EldershawEssay1 May 1995