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- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005
- The Eco-Humanities as Literature: A New Genre?Essay1 October 2008
- ‘To favourably impress the Oriental mind with western knowledge’: Xiaohai yuebao (The Child’s Paper, 1875-1915) and International Print CultureEssay1 October 2014
- Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael WeaverReview30 April 2021
- The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*Essay1 May 2012
- The ‘Hollowness’ of English? A Case for NarratologyEssay1 June 2013
- A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. CoetzeeEssay1 June 2010
- Under the Angle: Memory, History, and Dance in Nineteenth-Century MedievalismEssay1 November 2011
- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- ‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of TranslationEssay1 October 2013
- Charles Rowcroft, For ExampleEssay1 June 1966
- Review of On Native Grounds, Meanjin Quarterly Index 1940-65, and The Vital DecadeReview1 May 1970
- 'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George JohnstonEssay1 June 2016
- ‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*Essay7 December 2016
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Politics and Passion in Stead’s Late NovelsEssay7 December 2016