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- The Family Face: Martin Boyd’s Art of MemoirEssay1 May 1976
- Emerson and Charles HarpurEssay1 May 1973
- Opening Address, English Conference, Macquarie UniversityEssay1 May 1978
- Review of *In Search of Henry Lawson* by Manning ClarkReview1 May 1980
- Oodgeroo: A Selective ChecklistEssay1 November 1994
- Review of *The Gimbals of Unease: The Poetry of Francis Webb* by Bill Ashcroft, and *A Woman's Voice: Conversations with Australian Poets* by Jenny DigbyReview1 October 1997
- Kenneth Slessor and the ChineseEssay1 October 1996
- Ada Cambridge, G.F. Cross, and ‘The Modern Pulpit’Essay1 May 1992
- Spaces, Cargoes, Documents, Values and Principles: Some Recent Poetry AnthologiesEssay1 October 1992
- Theory as Fireworks: An Interview with Brian CastroEssay1 May 2002
- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- Writing Disability in Australia: Transmedial Potentials for Illness/Recovery NarrativesEssay23 May 2022
- Introduction: The Uses of Irish-Australian LiteratureEssay30 September 2021
- Shannon’s Information Theory, AI, and FictionEssay22 December 2025
- The Practice of Pastoral Empathy in Wordsworth’s Salisbury Plain PoemsEssay30 June 2015
- No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850Essay1 October 1996
- The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*Essay1 May 2003
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of RememberingEssay1 May 2009
- Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial PoetryEssay1 October 2010