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- Asia and the Contemporary Australian NovelEssay1 October 1984
- Christina Stead’s Student PublicationsEssay7 December 2016
- Society and Nature in Such is LifeEssay1 December 1963
- New Light on Henry KendallEssay1 June 1966
- Review of the *Australian Writers and Their Work* series, edited by Geoffrey DuttonReview1 June 1966
- John Greenway on Folksong - A ReplyEssay1 June 1967
- Review of *Bread and Wine: Selected Prose* by Kenneth SlessorReview1 October 1970
- Literary Nationalism and the 1890sEssay1 May 1971
- Authors’ Statements [Thelma Forshaw]Essay1 October 1981
- Review of *On Dearborn Street* by Miles FranklinReview1 May 1982
- A Governor, a Farmer, an Emperor: Rome and Australia in Geoffrey LehmannEssay1 May 1983
- Short NoticesEssay1 May 1983
- The 20th Anniversary of *ALS*: Comments by A.D. Hope, Leonie Kramer and the EditorEssay1 October 1983
- [Statement]Essay1 October 1985
- God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’Essay1 May 1984
- A New Map of Australia: The Plays of David WilliamsonEssay1 May 1984
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*Essay1 October 1986
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- ‘Interest’ in Les A. MurrayEssay1 October 1989