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‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*

The Anglo-Australian: Between Colony and Metropolis in Rosa Praed’s ‘*The Right Honourable*’ and *Policy and Passion*

English Studies at the University of New England: A Report from the Field.

Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary Narratives

Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient Music

‘Listen        to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie Scarce

Literary sources of Patrick White’s *Voss:* *A House is Built* and *Think of Stephen*

‘Cutting off the Head of the King’: Sovereignty, Feudalism, Fantasy

Parliamentary Medievalism: The Australian Magna Carta as Secular Relic

Reading in Public: Irene Longman and Citizenship

Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*

Phonographic Books and the Late Nineteenth-Century Reader

‘A Message to Humanity on Behalf of the Adult Deaf’: The Protest Writing of John Patrick Bourke

*The Mystery of a Hansom Cab* as Spatial Artefact: Exploring Class and the Spatial Unconscious in Nineteenth-Century Australia’s Favourite Whodunnit

Malley and Campalans: Apocryphal Modernists Yearning for Recognition

A Lady’s Letter from London: 1873-1908

Review by Craig Munro

H. G. Wells in Australia

Since 1964 ...

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*