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- ‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial GeorgicEssay2 May 2023
- ‘A Talented Daughter of the Mallee’: Myra Morris Meets Regional ReadersEssay28 October 2021
- Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000Essay30 September 2021
- Recentring Water: Thinking with the Chain of PondsEssay25 May 2024
- ‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.Essay16 November 2016
- Some Developments in Short Fiction, 1969-1980Essay1 October 1981
- Justice, Sacrifice and the Mother’s PoemEssay1 October 2001
- Remembering the War: Australian Novelists of the InterWar YearsEssay1 October 2007
- The Literary Destruction of Canberra: Utopia, Apocalypse and the National CapitalEssay1 May 2009
- Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial PoetryEssay1 October 2010
- Reading Byron in Kororāreka: *The Journal of Ensign Best*Essay31 October 2015
- In Custody: Thomas Keneally and American StoriesEssay30 May 2015
- Havelock Ellis’s Australian IdyllEssay1 June 1967
- Xavier Herbert: *Capricornia*Essay1 October 1970
- The Reconstruction of Self: Background and Design in George Johnston’s Meredith TrilogyEssay1 October 1984
- God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’Essay1 May 1984
- Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ NovelEssay1 October 2011
- Centre of Fierceness: Francis Webb’s Vision of the ArtistEssay1 October 1975
- Jindyworobaks and AboriginesEssay1 May 1977
- Old Orders, New Lands: The Earth Spirit in Picnic at Hanging RockEssay1 May 1978