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Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

Beatrice Davis and ‘The Sacredness of the Printed Word’

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Coetzee’s Womanizing

Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018

New Directions in Australian Literary Studies?: A Preliminary Discussion in Three Articles

Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim Winton

Helen Garner’s Education

Defining the Field of Irish-Australian Literature: Challenges and Conundrums

Irishness as a Literary Condition: Australia and its Irish Reading and Writing Community

Conceptualising Irish-Aboriginal Writing

Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs Over

Means and Ends in Writing

Society and Nature in Such is Life

The Surrender to Truth in The Early Australian Novel

Annual Bibliography of Studies in Australian Literature: 1967

Miles Franklin on Dearborn Street, Chicago, 1906-15