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The Literary Reputation of Adam Lindsay Gordon

Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*

Obscene and Over Here : National Sex and the Love Me Sailor Obscenity Trial

‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne Affair

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial

‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century Australia

Of Sages and Sybils: Alec Hope and Judith Wright

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

The Telling of Marmel’s Story

Review of *Bluestocking in Patagonia*, by Anne Whitehead

The Traumas of Translation and the Translation of Trauma: Translation and Cultural Plurality in Fremd and Yasbincek

Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*

Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth Jolley

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

Reading English

Reading Dickens

‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820s

Beyond Capricornia: Ambiguous Promise in Alexis Wright