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- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- Authors’ Statements [Shirley Hazzard]Essay1 October 1981
- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*Essay3 October 2024
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- Annual Bibliography of Studies in Australian Literature: 1989Essay1 May 1990
- Out of Context: A Study of Thomas Keneally’s NovelsEssay1 May 1969
- Annual Bibliography of Studies in Australian Literature : 1970Essay1 May 1971
- The Boer War: Paterson, Abbott, Brennan, Miles Franklin and MorantEssay1 October 1985
- Charles Harpur and the Myth of OriginsEssay1 October 1987
- *Unspoken Thoughts*: A Reassessment of Ada CambridgeEssay1 May 1989
- Annual Bibliography of Studies in Australian Literature : 1975Essay1 May 1976
- The Dual Nature of Shaw Neilson’s VisionEssay1 May 1972
- Annual Bibliography of Studies in Australian Literature : 1979Essay1 May 1980
- Fred J. Broomfield: Research Assistant ExtraordinaireEssay1 October 1980
- ‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’Essay1 May 1992
- John Grant: Australia’s First ‘Really’ Radical PoetEssay1 May 1994
- James McAuley’s New Guinea : Colonialism, Modernity and SuburbiaEssay1 November 1998
- Vexilla Regis Prodeunt: Myth and Allusion in Out of IrelandEssay1 May 2001
- The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*Essay1 May 2003